Crossbreeding Sensibilities

Attractor: Franco Torriani

What are the hopes and fears of becoming a hybrid in a de-modern scenario? How to understand neo-biological civilization and its anxieties? Can artists and creative practitioners substantially contribute, by cross researches and productions, to the treatment of major diseases and chronic pains? When it comes to uncertainty, a complex set of our thoughts and attitudes of doubt is based on an archaic and suspicion-led skepticism linked to “dubitare”, the vibration. Where is our hybrid frontier, if we have one? “Hybrids exist, they are among and with us…”(Bernard Andrieu). Therefore, let us critically reflect on neuromutation, our “immersion into the tissue of the world” (Polona Tratnik) where we all act as “mutalogues” (Louis Bec), interconnected with other biomasses, cultures, and artifacts, being immersed in a world of a dreadful crisis, looking for invariants in the middle of omnipresent mutation(s).

Biography: Franco Torriani (Turin 1942). Graduated in Economics at University of Turin, he studied the relations between economy and social environment. Independent consultant in external relations and communication strategy, he worked on setting up several cultural events and contributed to many publications. From the early 1970s, he has been studying the interactions between science, technology, old and new creative media. In recent years he has specially focused on the relationship between the forms and means of expression and Life Sciences. He is member of the Board of Pépinières européennes pour jeunes artistes (Saint-Cloud, France – Chairman from 1998 to 2007); member, from the late 1980s, of Ars Technica (Turin, Paris), founding member of ArsLab (Turin) and editorial consultant for

Liminal Lives: Life in the Age of Permanent Bio-transgression

Attractors: Maciej Ozog & Ryszard W. Kluszczynski

Development of life sciences and biotechnology entails the need for rethinking and redefining of several categories that till recently have seemed easily comprehensible, stable and obvious. In our proposal we want to focus on re-configurations of the category of life itself. Term liminal lives, taken from the book of Susan Merrill Squier, emphasizes openness, fluidity and instability of this category, and also its ambiguity. Liminal lives are boundary beings whose ontological status is not clear and is subject to continuous transgressions; they exceed and challenge dichotomies: organic – artificial, autonomous – dependent, human – non-human, living – inanimate, coherent – hybrid. Their existence, though often unnoticed outside the context of the laboratory, has a real impact on how we understand ourselves, and the world around us. Art has a particular significance and plays an important role in the public debate on the challenges arising from the existence of liminal forms of life. On the one hand, art can be regarded as cultural translation of procedures and scientific discourse, on the other provides critical analysis of cultural, social and political consequences of techno-scientific achievements. In our proposal, we would like to present and analyze various examples of the latter attitude within bioart.

Methodology: Goal of the project is to select a research group consisting of theorists and artists whose research and artistic practices allow for a multidimensional analysis of the very phenomenon of liminal lives as well as the socio-cultural context and consequences of the development of this branch of modern biology. This group would be selected in the “call for papers”. Work of the group would consist in the preparation of individual papers, but also we would like to initiate a platform for creative discussion and presentation of opinions and actions, pointing especially to the transgressive dimension of the liminal lives issue.


Ryszard W. Kluszczynski, PhD, new media art scholar, writer and curator. Professor of media and cultural studies, Lodz University, Poland, Head of Department of Media and Audiovisual Culture. He publishes widely about media and multimedia arts, cyberculture, and on the contemporary art theory. In the years 1990-2001 Kluszczynski was a Chief Curator of film, video and multimedia arts at the Centre for Contemporary Art – Ujazdowski Castle in Warsaw. Curator of International Biennale of Contemporary Art ‘Mediations’ in Poznan 2010. Artistic Director of Art & Science Meeting Project, CCA Gdansk 2011-2016.

Maciej Ozog, PhD, media theorist, researcher and musician. He works at the Electronic Media Department, Lodz University. His research focuses on history and theory of media arts, panoptic / postoptic surveillance culture, information society and posthumanism. He has published many articles on aesthetics of interactive art, history and theory of avant-garde film and video art, and experimental music. His book “Surveillance as Theme and Method of New Media Art” will be published in 2012.

(Semi-Living Steak by The Tissue Culture and Art Project)